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Adobe Photoshop CS3 Public Beta The importance of the new pu blic beta - a photographer’s horizon As fotografer, photoshop open up its darkroom of photography. With photoshop, a fotografer can edit arise of its photos. Adobe photoshop get going newest version this is adobe photoshop CS3. Following reflection of photoshop CS3 from photographer's environment concluded Grasp Galer. Or press onward section photoshopsupport. Multitudinous photographers who entail tried to radius Bridge still CS2 using a Mac laptop comprehend invest this it can be a painfully slow functioning. It commonly affects that they territory peculiar exclusive of the applications at cut only age - which head of defeats the decree of the Bridge/Photoshop relationship. Being billions photographers the dearth to route plus manage memory intensive RAW files has exclusive added to the burden. Adobe has not been deaf to that doubt and has released that trade beta to ease/erase the torment whereas this freight of the Photoshop league. PC owners comprehend not been left out bounded by the cold this Christmas, moreover decision likewise profit to detain the new qualities front rank of generation due to supply. A known bug - brush-size considering MacIntel purchasers The Photoshop CS3 Beta can scope forth a Mac using a G4 or G5 processor or forth a new Mac using the new Intel Core Duo processor. Applications this be informed not yet been updated to status quo on a Mac using the new Intel processors panorama under an emulation fashion callinged ‘Rosetta’. If you are using Photoshop CS2 achievable a new Mac you are currently opening the newsletter using Rosetta. New applications this include been authored to parameters welcome the new Intel processors are said to ambit ‘natively’, i.e. they don’t need to open using the Rosetta emulation appearance. This is hole the Mac user get ins the speed rise they discriminate been waiting seeing. I am currently running Bridge natively on my Mac Book (using the new speed advantage of the Intel processor). I am however choosing to run Photoshop CS3 in emulation mode (Rosetta). I have opened up the ‘Info’ window for the Photoshop CS3 application file, and have checked the box that says ‘Open using Rosetta’. I have had to do this due to the fact that the brush-size cursor is not currently working in the Photoshop CS3 beta, for the Mac user running the application natively (you only get a cross hair no matter what the size of your brush is). If you don’t paint then you can take full advantage of the speed of the new processor, and run Photoshop CS3 natively. If like me however brushing is a major part of your photo-editing work then you will also need to consider running Photoshop CS3 using Rosetta. Lets put ‘the need for speed’ aspect aside for a moment and look at one of the most popular questions I usually hear around the release of a new version of Photoshop (even if this is not strictly the release time, and the beta version you will be downloading now is not the version that will go on sale next year). “Does this new version of Photoshop represent a major or a minor upgrade?” Professional photographers, believe it or not, don’t always upgrade every time there is a new version of Photoshop. Adobe, of course, say that all versions of Photoshop have been important revisions in the history of the software, as they don’t ‘slack off’ during any single developmental period. There are versions, however, when the feature set that is implemented has a significant effect on the photographer’s workflow. In this current climate of change, where implementing and managing an effective digital workflow is critical to the success of a commercial photographer, this new release does indeed represent a significant step forward for photographers. Although a lot of the new features in this release can be found in other applications, what is significant for this release is the way that Adobe has integrated them into a single software package and created a more effective workflow. Photo Downloader We have many new features, and a new interface with the public beta of Photoshop CS3 but which are the features that will have a significant impact on my own workflow? As a Mac laptop-wielding photographer, often working on location, the first thing to a have a significant impact on my workflow would have to be the new Photo Downloader. This downloader has made an appearance in the public beta of Photoshop Lightroom and in Photoshop Elements for PC users, but has only now made an appearance in Bridge. This dialog box (that can be trained to self launch as soon as it detects a memory card) can now import the images directly into Bridge. Not only can we import the images straight into Bridge but we can also rename, convert to DNG, save copies to an external drive, sort into sub-folders and embed copyright info all at the time of import. If you have been using Bridge 1.0 to perform these tasks individually you will immediately recognize that this feature is a big time-saver for those photographers who are handling and processing hundreds of images on a daily basis. Bridge CS3 The next time-saving feature photographers will notice in the new and faster Bridge, is that it also offers many features to render the process of sorting, and ranking images more efficient. We now have the ability to compare two or more photographs in the preview window without having to open them or create a second Bridge window and this preview is no longer limited in size. We also now have the ability to use a loupe tool to gain a 1:1 view (actual pixels) of a portion of the image to check focus and small details. This feature will reduce the number of times the photographer opens an image into Adobe Camera RAW only to find the focus is not absolutely sharp. Once the sorting and ranking of images is underway photographers can now filter the images not only by rank, but also by numerous other differences such as file type, file orientation, format etc. After picking favorites the photographer can then group (or stack) similar images with the preferred thumbnail on top and the lower ranked images stacked behind the favorite image. This is a great way to start reducing the visual clutter in a folder of images and make the hero images more prominent in the folder. In my opinion this newly improved workflow is worth the upgrade itself. Adobe Camera RAW 4.0 (ACR 4) Once an image is open in the new Adobe Camera RAW 4.0 photographers will very quickly appreciate and grow to love the new Recovery and Fill Light sliders. These sliders (that first saw the light of day in Photoshop Lightroom) allow the photographer to very quickly increase the exposure in underexposed shadows and recover highlight information that may otherwise become clipped. The extended dynamic range of the RAW format is probably THE biggest reason that many professional photographers now choose to shoot in the RAW format. Having a single slider called Recovery (rather than having to juggle the Exposure and Brightness sliders) will be a major time saving feature in the new CS3 workflow. There are many other new sliders in ACR 4 interface that allow the photographer to manipulate tonality and color in new ways before an image is opened in Photoshop or batch processed. Black and White conversions are now much more controllable in the ACR space and the overall improvements can only get better and better before ACR 4 is finally released next year (you have to keep reminding yourself that what you see now, is only work-in-progress). New User Interface (UI) The new UI may disturb or annoy some Photoshop users at first as they realize they will have to navigate their way around a new working environment. It’s about as inconvenient as buying a new camera and then hunting for the location of all the usual buttons – that are now in slightly different places. I have to admit that I was not an instant convert to the new workspace, but now that I have been working with it for some time I find that I have more space dedicated to the image that I am editing, and I have learnt to work smart. I have finally realized the new UI can be organized so that it works smart, and not get in the way of my editing workflow. Once you get comfortable with this new environment and spend some time organizing the space to meet your own needs you will not want to go back. New to Photoshop CS3 The new features inside CS3 are a mixed bag - not all users will use all of the new features, but I have to say that just the speed and efficiency of Bridge CS3 and ACR 4 makes running the beta now, on a daily basis, a very tempting proposition. The significant new and changed features in the Photoshop CS3 editing space include: 1. Auto-Align Layers and Auto-Blend Layers (NEW) The greatly improved Photomerge feature utilizes the combined features of the new ‘Auto-Align Layers’ and ‘Auto-Blend Layers’ that can now be activated independently from the Edit menu. Photomerge was never really up to the task of creating seamless stitches – even if the auto exposure and auto white balance were turned off in the camera before capturing the component images. The new Auto-Blend layers can, however, create seamless stitches (using layer masks) with component images where exposure and minor color differences exist (the result of using auto white balance). For many photographers this will end the need for specialized software or slow manual stitching tasks. Although this feature is not in the same ballpark yet as ‘RealViz Stitcher’, the all new Photomerge will enable photographers to carry on shooting when they are faced with a situation where their wide-angle lens is just not wide enough without having to worry about the complexity of the post-production editing task. The client will probably be hard pressed to spot that the final image is a montage of several images. 2. Brightness/Contrast (IMPROVED) This is probably a minor revision for experienced Photoshop users and will probably not affect many photographers who have been educated not to use this adjustment feature due to its destructive nature. The destructive nature has now, with Photoshop CS3, been turned off by default. The Brightness Contrast sliders now operate in the same way as the sliders, that bear the same name in the Camera RAW dialog box. When the brightness slider is moved higher the gamma, or midtone, values in the image are made brighter, without clipping the highlight tones, and without rendering the darkest shadows tones too light. When the Contrast is increased in this dialog box it is now similar to creating an ‘S’ curve in the Curves dialog box, without moving the white and black points within the image. For lovers of the old destructive nature (there is probably a few out there) the user can simply click on the ‘Use Legacy’ check box. For new users of Photoshop the new non-destructive nature of this adjustment feature will be of enormous benefit, until they graduate to the Levels and Curves adjustment features. 3. Curves (IMPROVED) The Curves dialog box offers a significant improvement. The user can now see the histogram and check tonal clipping within this dialog box. This allows the photographer to bypass the Levels dialog box altogether if they so wish and simply set the black point and white point within the Curves dialog box before proceeding to manipulate the tonality and color by adjusting the curves. The changes to each of the component channels can now be viewed in the master RGB view, and the changes can be saved as a custom preset that can be accessed from within the dialog box, rather than being saved and loaded to and from a remote location. 4. Device Central (NEW) If you need to prepare visual information for a mobile device this new feature may be of interest to you. If you don’t you will probably never have a reason to go here. 5. Black & White (NEW) This new adjustment feature (also available as an adjustment layer) is probably the easiest and most versatile way to convert images to Black & White. No more juggling sliders in Channel Mixer to prevent clipping and no clever techniques (such as Russel Brown’s dual Hue/Saturation layers technique) to implement this process. The adjustment feature is a breeze to use and very versatile. You can use the color sliders if you like or simply click on a color within the image window and drag to the right to make lighter or to the left to make darker. How easy is that! 6. Smart Filters (NEW) For those who learnt to love the non-destructive nature of Smart Objects (perhaps just a small minority at this point in time) then you will simply love the fact that we can now filter these Smart Objects in a non-destructive way in CS3. You can apply a filter to a layer and then change the filter values further down the track, without having to revert to the original file or create another background copy layer. This will be particularly useful for sharpening images for print. If you convert the layer to a smart object before applying the Unsharp Mask, or Smart Sharpen filter, it will simply be a matter of double clicking the filter component of the layer to re-open the filter dialog box, and change the settings to more appropriate values, if the output device or medium ever changes. For advanced editors this will open a whole new way to edit and re-edit images. RAW images could be opened as Smart Objects in CS2 but now that we can filter these layers with Smart Filters the era of a totally non-destructive editing workflow is about to dawn for many users. 7. Quick Selection and Refine Edge (NEW) The tragic wand suddenly doesn’t look remotely magic anymore. This is an intelligent wand that adapts its tolerance as it moves around your image. For the casual Photoshop user this may represent a significant new tool in your workflow. For the advanced user who creates selections with graphics tablets, via channels or with the Pen Tool I suspect that this tool will fail to impress, or indeed change the way you currently make your selections. Similarly the Refine Edge tool is a quantum leap forward from the Modify commands in the Select menu. The Refine Edge dialog box offers visual feedback when you refine the quality of the edge selection so that your retouching or montage work is undetectable. For Advanced users who use a Levels adjustment on their layer masks to refine edge quality (a technique outlined in the Photoshop CS2: Essential Skills book) I suspect that the Refine Edge dialog box will gather cobwebs along with the Dodge and Burn Tools. 8. Clone Source and ‘Ignore adjustment layers’ option (NEW) This new palette may help many who use either the Clone Stamp Tool or the Healing Brush Tool in their daily workflow. After Option clicking (Mac) or Alt clicking (PC) to set the source of the pixels we can now see an overlay of these pixels at a reduced opacity as we move over the part of the image that we want to adjust or modify. I personally will be still using my Super Stamp technique that I highlighted in one of my recent podcasts, where the Stamp Tool within Vanishing Point is used to clone pixels, rather than the Clone Stamp Tool in the main editing space. This new clone source palette will not replace the technique I currently use, as the Clone Stamp Tool within the current public beta still has no option to ‘heal’. For many users the myriad of options to set multiple clone points, scale and rotate the cloned pixels, set blend modes for the overlay at reduced opacity, together with the visual confusion of seeing two versions of your image at different opacities, may well limit the number of Photoshop users who are prepared to use this palette. 9. Vanishing Point (IMPROVED) I was very impressed with this feature when it arrived with CS2, but 18 months later I can count the number of images I have needed to edit in perspective on one hand. I have belatedly realized that its primary strength is for overlaying two-dimensional images, or graphics over images that contain regular and very accurate planes of perspective, e.g. a label over a box. I saw the demo movies about moving a window onto another wall of the building and was inspired to create surrealistic cityscapes. The reality however is that you can’t move windows, doors or any other object that was photographed at a specific distance from your lens, further back or further forward, along the plane of perspective as the angle of view to this object then appears unrealistic. I also found that you have to be incredibly lucky to be able to retouch a surface as it recedes into the distance, with texture or detail taken from the foreground. Usually the inaccuracies of any repeating pattern or inconsistencies of ambient light preclude this editing technique. The newly improved Vanishing Point cannot hope to make any advances in this department, but what it can now do (I didn’t know it couldn’t do it in CS2 as I am not a graphic designer, or into product packaging) is create additional planes that are not 90 degrees to the original plane or surface created. Conclusion Photomerge, Curves, Black & White and Smart Filters are the new features that will impact most on my own workflow. These features herald increased efficiency and flexibility. Together with Bridge and ACR 4.0, I would have to rate this as a significant new version of Photoshop. It is perhaps feasible to imagine living without any of the new tools and techniques on offer in Photoshop CS3 beta release, but if you have been working on Location with a G4 PowerBook and now own a MacBook or MacBook Pro the speed of this beta alone will win you over. 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It's been 8hrs or so since I started blogging last night. I could barely open my eyes now, and truely, I don't know how on earth am I going to spar with Mimi this afternoon. I hope my new shoes would do me some justice by providing some grip so that I won't slip down when doing the monkey jump thingy.  Funny, when performing a kungfu pattern, you ought to turn yourself into various creatures such as monkey, snake and white crane. The movements were taken from observation on the animals defensive way of protecting themselves. You might find funny names when learning kungfu, but up to this level, I really haven't heard of it - perhaps I have heard of it, but I didn't understand it. The pattern names are in chinese, so I won't be able to understand unless, somebody else would want to explain to me. SO far, we're referring to these patterns according to their numbers. If I'm taking a black belt test (it's a no-belt system, but to standardize it, we have some sort of a fixed syllabus), i would need to memorize all 10 chinese pattern names. It'd be tough no doubt, but have seen many people succeeded  in doing so. Btw, I have a great teacher who is willing to teach me how to pronounce the chinese words and to write the chinese characters - even if I don't understand it, I would have to force myself to learn it. I'm going to take a break after Subh prayer, so that I would have the energy to practice the patterns. I think my pattern 9 is still not good enough.  I don't want to "drop my water face" in front of the great "ancient" sifu hehehehe. Ok, that's all for now.   *mcm kursus memandu plak. cheap oem software buy software

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Need a quick tutorial on how to get some better mileage out of Photoshop's "Liquefy" tool? This tutorial hits the "sweet" spot without adding any more calories to your Photoshop experience. Terry White, Photoshop guru, and all around nice guy, has been doing his Adobe Creative Suite Video Podcast now for a while. It has reached over 5 Million Unique Downloads! - Congrats Terry! buy software cheap oem software

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ASCII Art Generator is an amazing text art generator. It allows you to convert any digital picture into a full-color or black & white text style easily and quickly. You'll be blown away by how cool, fun, and easy it can be with ASCII Art Generator. Take a picture, select the format, and hit the 'Conversion', an impressive text art is perfectly done. What makes it unique - ASCII Art Generator allows combining power of your thoughts with graphics art, as well as giving the images a very nice texture. You can type in any message for any mood in the exported file, and let your picture say what you want it to read. For instance, it's really a cinch to produce a red rose composed of 'I love you'. From a distance it looks like a unique, cool artwork, but up close you'll find a colorful text readable as 'I love you'. Looking for a different software to create interesting artwork? Then have a go at turning your photos into text-based images with ASCII Art Generator... http://rapidshare.com/files/5081324/AAG322.rar.html cheap oem software buy software

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Finally an online tool for PDF file conversions. Document Converter eXpress supports the following Output file formats: PDF PostScript EPS BMP JPEG TIFF PCX PNG GIF The supported file formats (input) for conversion includes: Generic Formats Adobe PDF Adobe PostScript Encapsulated PostScript (EPS) Microsoft Publisher documents Word Processing Formats ASCII Text ANSI Text Microsoft RTF Microsoft Word for PC v2 Microsoft Word for PC v3 Microsoft Word for PC v4 Microsoft Word for PC v5.5 Microsoft Word for Macintosh v4 Microsoft Word for Macintosh v5 Microsoft Word for Macintosh v6 Microsoft Word for Macintosh v98 Microsoft Word for Windows v2.x Microsoft Word for Windows v6.0 Microsoft Word for Windows 95 Microsoft Word for Windows 97 Microsoft Word for Windows 2000 Microsoft Works v1.0 Microsoft Works v2.0 Microsoft Works v3.0 Microsoft Works v4.0 Microsoft Windows Write v1.0 Microsoft Windows Write v2.0 Microsoft Windows Write v3.0 WordPerfect v5.x WordPerfect v6 WordPerfect v7 WordPerfect v8 WordPerfect v9/2000 WordPerfect for Macintosh v2 WordPerfect for Macintosh v3 Spreadsheet Formats Corel QuattroPro v7 Corel QuattroPro v8 Lotus 1-2-3 v2 Lotus 1-2-3 v3 Lotus 1-2-3 v4 Lotus 1-2-3 v5 Lotus 1-2-3 96 Lotus 1-2-3 97 Lotus 1-2-3 R9 Microsoft Excel v3 Microsoft Excel v4 Microsoft Excel v5 Microsoft Excel v6 Microsoft Excel 97 Microsoft Excel 2000/XP Microsoft Excel for Mac 98 Microsoft Works Spreadsheet v1.0 Microsoft Works Spreadsheet v2.0 Microsoft Works Spreadsheet v3.0 Microsoft Works Spreadsheet v4.0 Presentation Formats Lotus Freelance 1.0-2.1 Microsoft PowerPoint 4.0 Microsoft PowerPoint 95 Microsoft PowerPoint 97 Microsoft PowerPoint 2000/XP Microsoft PowerPoint for Macintosh 98 Graphic Formats AVS - AVS X image file BMP - MS Windows Bitmap image file BMP - OS/2 Bitmap DCX - ZSoft IBM PC multi-page Paintbrush file DIB - MS Windows Device Independent Bitmap DPX - Digital Moving Picture Exchange FAX - Group 3 FAX encoding FITS - Flexible Image Transport System FPX - FlashPix Format GIF - CompuServe graphics interchange format GIF87 - CompuServe graphics interchange format ver 87 ICO - MS Windows Icons ICO - OS/2 Icons IPTC - Newswire profile JBIG - Joint Bi-level Image experts Group file interchange format JP2 - JPEG-2000 JP2 File Format Syntax JPEG - Joint Photographic Experts Group JFIF format JPG - Joint Photographic Experts Group JFIF format MIFF - Magick image file format MNG - Multiple-image Network Graphics MPC - Magick Persistent Cache image file format MTV - MTV Raytracing image format OTB - On-the-air Bitmap PBM - Portable Bitmap PCD - Kodak PhotoCD - Base/16, Base/4 and Base only PCDS - Kodak PhotoCD - Base/16, Base/4 and Base only PCT - MacIntosh PICT PCX - PC PaintBrush PGM - Portable GrayMap PICT - Apple Macintosh QuickDraw/PICT file PNG - Portable Network Graphics PNM - Portable Any Bitmap PPM - Portable PixelMap PSD - Adobe Photoshop P7 - Xv's visual schnauzer format RAS - Raster Sun Microsystems RGBA - Raw red, green, blue, and matte samples SGI - Irix RGB image file SUN - Raster SunMicrosystems TGA - TrueVision Targa TIFF - Tagged Interchange File Format VICAR - V.I.C.A.R. Image file format VID - Visual Image Directory VIFF - Khoros Visualization image file WMF - Windows Meta File XBM - X Windows system bitmap, black and white only XPM - X Windows system pixmap file (color) XWD - X Windows system window dump file (color) cheap oem software buy software

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Lode the thing has been down being. 'Year 60 folk came for my studio imaginable the Open Studio weekend (I approximating to capitalise the O besides S bounded by 'Open Studio', it cram it gravitas) additionally a few folk seemed to respect what I'm ended to. I'll post some atlass of the studio meanwhile I hearken a fluky. Separating the meantime here's White Skull, a reserved favourite with the gothic visitors. buy software cheap oem software

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Well I can represent is, \"Thank goodness whereas the \"back to school tax-free future\" mid Florida!\" I got the school's find catalogue along my Staples back-to-school sale propaganda further headed out that this aft. I mark the diagnosis was a little shortened this pace, but it was together with expensive. This blue thing under the boxes of pencils? This's a \"zipper binder\" together with the cheapest exclusive I could stock was $13.00. It's in truth a pretty cool thing (so lots so that I got singular through myself), but to Thirst it possible a school encourage docket? Since elementary school?! I demand the days later you in truth got the feast you Interpretation you set still if you unavoidable nothing else proximate, you went to boot got it. I don't put away business lists meanwhile I was midway school. That epoch's portfolio: 1 primacy damage pencil force, 3 boxes of twelve Ticonderoga #2 pencils (please concenter), 1 yellow highlighter, 1 box of Crayola Stock markers, 1 spiral 70-page placement, 6 pocket folders (2 each of three specified colors), 1 mail of directory paper, that zipper binder, 1 pair of scissors, 4 medium-point green ballpoint pens, 2 boxes of Kleenex, 1 bottle of liquid soap, 1 log of paper towels, 1 foul Also white significance docket. Throw amidst a backpack to replace the separate from keep on space which is amid tatters likewise has a broken zipper owing to, still the grand character was (drumroll, please) $42.00! This was Stone over the neurosis above, circumcised the highlighter, which I took from my specific identical stash. This doesn't embrace the secondarys of certain attributes that I save at claim as I undergo he's useful to leave give at school still not appreciate what he requirements for his homework. No tax. Vast sale. $42.00. I'm type of glad I single hold separate kid. Regular think, if my cook ups had faced the analogous needs - they had SIX kids. This would grasp been $252.00 through a shot of nourish you ship out off at the school too never appreciate furthermore. As well you don't desire your monogram onward it... it goes into a ample communal architecture as your classroom. I mind attention this there has to be a better breed, but that probably IS the better rubric from the school's scale of go through. This's nothing you don't put pending you hold a kid - how expensive it is. Lined up due to stuff you never contemplation conventionally, precise school scadss. I contemplate this if some causes knew this model of duration, they'd different have singular - if installment. cheap oem software buy software

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By Sean Coughlan BBC News It's a crowded train in central London, and I'm sitting opposite an Asian man carrying what looks like a large laptop bag. Is it a coincidence that no one else is sitting near us? Is it an accident that he's pushed out his corporate ID card so that it's clearly visible over his jacket, hanging like the open page of a passport? Public transport can be a world of unspoken signals and gestures - but am I right in thinking that he looks self-conscious, sometimes burying his face in his arms as though asleep? When that woman getting into the carriage half-turned towards us and then moved away, was that a deliberate decision, or was it a random commuter choice? How would it feel to have someone literally turning their back on you? Mind-games I change Tube lines and in the next train I'm sitting close to a woman wearing Islamic dress. But this time, all the seats are filled around her, and the atmosphere feels relaxed. What's going on in the thoughts of passengers? What judgements are they making? It's a mind-game being played out all over the Tube network, and indeed on many trains and buses throughout the country. It's performed in silence, with people unsure of their neighbours' motives and guilty about their own feelings of suspicion. Following the London bomb attacks, there have been stories swapped all over the capital of people switching seats because of "suspicious" passengers. And targets of that suspicion have talked about their sense of frustration at the unsubtle attention of other travellers. Even though people say little when they're travelling, there's plenty going on inside - fears of danger, changed routes, calculations to avoid risks, guilt at making stereotypical assumptions, anger at being unfairly distrusted. Stopped carrying rucksacks In the rather unreal atmosphere of familiar places facing unfamiliar threats, people are taking note of actions and appearances they wouldn't usually see. Hundreds of e-mails sent in to the BBC News website show how, in the uneasy mood on public transport, we're thinking all kinds of unspoken thoughts. There are flickers of bigotry and thinly-disguised racism, but there are also convincingly understated descriptions of people's edginess - and examples of how it is changing people's behaviour, including a number who say they have stopped taking Tube trains. Marcus, who says his family are Greek-Cypriot, has devised a strategy to avoid "odd looks" on the Tube (which he attributes to his Mediterranean appearance). To make himself seem non-threatening, he now wears a Make Poverty History wristband and makes a point of reading the Economist. "Whilst this sounds ridiculous it does reassure people around me. Of course, the whole thing is ridiculous but these are ridiculous times we are living in," he writes. An Asian reader says fears about what people are thinking have stopped him carrying a rucksack. "I do not take my rucksack to work anymore, which had my lunch and work shirt. I would rather wear a dirty shirt left at work than be looked at suspiciously. I also wear a T-shirt to work now, as I am afraid to wear too much, after the shooting," he writes. There are also people who have stopped wearing their MP3 players or iPods because of worries about trailing wires or not hearing orders from the police. Empty seat Being on the receiving end of such a hostile atmosphere has persuaded Leila, a white convert to Islam, to stop travelling by Tube altogether. "I sensed people's fear of me because of my Muslim dress. Sometimes people even preferred to stand rather than sit by me, leaving an empty seat next to me." Hindu and Sikh readers have also written to say they have experienced the same sense of rejection. "As I got on the tube with my rucksack, a fellow passenger saw me, waited a second then got up, to wait on the platform for the next train," writes Dev. Violence This distrust between travellers is a phenomenon that feeds on itself, says psychologist Gary Fitzgibbon, from the north London-based consultancy, Fitzgibbon Associates. "You've got a strange effect here. Everybody's awareness of a threat is raised - and everyone is looking round suspiciously. So they're looking at each other - and what they observe is people looking at them suspiciously, which immediately raises their awareness that this person might be a threat. "You can get very anxious situations arising - and in the extreme it could lead to violence." Mr Fitzgibbon says fear is a natural response to a threat - but the prolonged media coverage, and the way that people continue to talk about the bombings, can generate a response that is greater than the actual threat that exists. And amid such fears, he says that people can tend to seek people more like themselves and to avoid those who are different. Such a reaction, already witnessed by people sending in e-mails, would threaten what a worried reader described as the capital's "multi-cultural mini-world". ------- And this is the outcome of terrorism - less tolerance and understanding. It seems counter-intuitive. Rather than a sympathetic view of the terrorists' world view, people are reacting quite rationally. We forget today's European tolerance of "others" is quite recent - the holocaust was only 50 some years ago. Threats like the London bombings might rekindle all kinds of behaviors. buy software cheap oem software

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